A mulher do fim do mundo (The Woman at the End of the World)
'One of the year's most original and exhilarating listens' PITCHFORK (BEST NEW MUSIC 8.4)
'A daring, experimental album . . . magnificent' THE SUNDAY TIMES
'A devastating, late-career, vanguard-pop masterpiece' THE NEW YORK TIMES
'World album of the year' MOJO MAGAZINE
'Surely the Brazilian album of the year' THE GUARDIAN 5/5 ★★★★★
Brazilian music icon Elza Soares teams up with the cream of São Paulo's avant-garde musicians for an album of
apocalyptic, experimental samba sujo ('dirty samba') that tackles the burning issues of 21st century Brazil: racism, domestic violence, sex and drug addiction.
A true legend of Brazilian music Elza has an incredible musical oeuvre that stretches back over seven decades mixing samba with jazz, soul, funk, hip hop and electronica, whilst her life-story is a rags-to-riches-to-rags rollercoaster of triumphs and tragedies that has made her a voice for Brazil's repressed female, black, gay and working class.
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